The eye has to travel, so said Diana Vreeland once, and Gleb Derujinsky followed that instruction of hers quite literally. His fashion photography for Harper’s Bazaar did not take place in a studio, with perfect lighting, and a bar-tabac or a diner nearby that comfort zone, but outside in the world, in the streets, in the urban and not so urban jungle, his eyes travelled everywhere, and as much as we might know some of the locations, let’s face it, we’ve all strolled along the Seine and took shots on or under its bridges, some of Derujinsky’s destinations I have yet to discover myself, like the wine cellars of Maxim’s, I haven’t even ordered a steak au poivre there yet, nor have I been to the Nara Deer Park in Japan with its thousand-year-old trees. This photographer demanded a passport from his models and broke boundaries all over the world, he took them to nature, you’re born free, he seems to say, so act on it. Sometimes you can’t tell whether you’re looking at some exotic scenery in an old issue of National Geographic or at Lanvin-Castillo’s ideas for the next summer. With “Capturing Fashion”, Flammarion and Derujinsky’s daughter Andrea make our eyes travel over and over again, I just hope they won’t suffer from jet lag.
There’s that particular time of day called the blue hour, supposedly a very nice moment to celebrate because it’s so romantic, but I’ve never been really aware of when it starts or ends, I seem to have missed thousands of blue hours in my life—today, however, I was enjoying a blue day. While I was having my first coffee in the garden, the one supposed to bring my brain back to life, the blue hydrangeas in front of our blue garage doors suddenly caught my attention, and I couldn’t stop looking at this blue still life all day, from every angle possible. In fact, it’s so beautiful a scenery that I forgot all about my coffee and had to make a fresh one. Later, I mean. Because I forgot all about making fresh coffee, too…
I spent the entire day in the garden, comfortably installed in a chair, looking at what was in front of me, and wasn’t bored a single moment. He must really be into roses, you might think, and partially you’re right, but truth be told, I had my iPhone with me, initially to take some more shots of the garden in bloom, when it suddenly occurred to me that I had Netflix on it, now an Obama approved entertainment device, and as I felt like something British, I started the original version of House of Cards, after I had made tea of course, as I can’t watch anything British without the most British beverage there is, tea. Over Fortnum & Mason’s Royal Blend—royalty, by the way, is quite British, too— I took a crash course in advanced manipulation and found Ian Richardson’s Francis Urquhart much more interesting a character than Kevin Spacey’s Frank Underwood, you may replace “interesting” by other adjectives such as vicious, refined, monstruous, vile, evil, foul, wicked, elegant, cynical, or pleasant. Pleasant, mainly because I like a character, any character, well played, quite especially such a complex character as this excelling manipulator on the run. Well done, Mr Richardson. I watched series 1 entirely, intermitted with occasional looks to the left and to the right, to hydrangeas in bloom and ageing terracotta pottery, and if it weren’t for my cat and his dinner, I’d still be outside, watching series 2 and my garden in the moonlight.
The weather was fine when I arrived, and it stayed fine all day—as Hamburg is as much known for its exaggerated supply of rain as Seattle, that was not a given, but it did. Lucky me! So I walked a lot, visited familiar places, found some of them changed, some for the better, some for the worse, and had a lot of iced americanos, including my very last one; you see, after posting my cup on Instagram, a friend of mine commented just two words: no plastic. And right she was. It’s amazing how one can support people cleansing the ocean from plastic, blame everybody else for our planet’s decay, and still sip coffee with a plastic straw from a plastic cup. I learned my lesson though, deeply ashamed of myself. And instead of showing off my mind’s double standards, I give you Hamburg’s natural beauty. Enjoy!
Finally a lunch break with some sun. Finally some spring in the air. However, let me be quite clear on that, it wasn’t spring at all, not really, maybe meteorologically, but definitely in name only, in fact, it was icy cold outside, my shawl was wrapped thrice around my neck, the sky might have been blue but there was still some snow left on the ground, ice patches made everything slippery that was left alone by passers-by, and of course I slipped taking some of the photos when trespassing the garden design, but it was worth it, Berlin’s Alte Nationalgalerie, the old national gallery, inaugurated on this very day some 150 years ago, on March 22nd, 1876, was looking splendid with the bright blue sky and the graphics of the leafless trees, there is nothing better to bring out architecture than a tree, the contrast between culture and nature is one of the most spectacular I know, and so I wasn’t too sad about just taking pictures of the gallery itself – and none of the great pictures on display inside.
These are my favourite columns in the whole world: the ones arcading Rue de Rivoli’s famous addresses, Galignani, for instance, my favourite bookshop, and some cafés offering a place to sit and sip something while overlooking Parisian traffic alongside the Tuileries Garden, the Louvre, or Joan of Arc in front of the Hotel Regina, the most beautifully situated hotel in all of Paris. If you ask me, columns are the best architectural invention since the roof, a roof might offer more shelter from the rain, but so does an umbrella, columns, however, provide us with style, maybe this is why the Acropolis was covered in columned architecture, just to show us what real culture is all about, but then again, Greece isn’t known for rain anyway, is it? Anyway, Paris is blessed with some of the most beautiful columns ever built, some of them with no purpose besides being stylish, but that’s more than fine with me, they stand alone, minding their own business or carrying Napoleon’s statue, they adorn parks and façades, churches and museums, palaces and townhouses, I once started counting them, I made it to 963, then I lost count, there are far too many. Paris is all about exuberance, believe you me.
In 1936, Marlene Dietrich entered a jeweller’s shop in Paris and uttered some unforgettable words to me: “I would like to see some pearls”. Some pearls. Not to necessarily buy any, just to see some, in a tone that left no doubt about having some infinite riches on her hands, while suavely smiling, with that ironic twinkle of hers, not in her eye, but in her lips, unmatched sophistication and wit, the sort of smile that demands an IQ way above average, quite Einsteinesque a brain, just with a much better hair-do, or, in that particular case, a hat by Travis Banton, of course, later in that movie it turns out she’s utterly broke, anyway, I was deeply impressed. Deeply. In 1999, I entered the Hermès shop in Cologne, uttering the words “I would like to see some cufflinks.”, but it just wasn’t the same. I had aimed too high. But now that you know about my connection to Marlene Dietrich, I give you Flammarion’s edition of Pierre Passebon’s collection of some of the best photographs ever taken of her, the collection’s still on display in Paris, until February 25th at Maison Européenne de la Photographie in Paris. But if you can’t make it to 5-7, rue de Fourcy in the Marais within the next 48 hours, you just enter a bookshop and repeat after me: “I would like to see some photographs of Marlene Dietrich.”