The black letter.

I did the impossible, I finished Proust! I finished! I finished Marcel Proust! I am so proud of myself!

Well, as you might have found out by now, I didn’t finish À la recherche du temps perdu, no, of course not, I’m still trapped in one of those extended Guermantes reflections of his, I only finished Jean Santeuil, one might call it Proust for beginners, it should set them at ease as Proust himself didn’t finish that one either, writing, I mean, not just reading it. So, obviously he was a quitter, too. Ha! But I don’t give up that easily, and from now on, I’ll start wearing this Étrivière Double Tour by Hermès to remind me of my literary shortcomings. If ever I succeed in finishing Proust’s masterpiece, all volumes, all of them, all of these three thousand pages, I shall take it off again. Until then, it’s going to serve as a scarlet letter for everybody to see what a quitter I am — damn, I have to finish Hawthorne, too. Damn!

My life’s travels.

Books. Love them. They are the only thing capable of transporting you anwhere you want to go, or rather not, where they take you is your own responsability, they took me from cover to cover, the journey was always the true destination, I was unstoppable, I left Berlin in a hurry for Zurich when Hitler stole pink rabbit, I never returned, I can’t forget the living wallpaper design in Zurich either, it’s stuck in my mind forever, I still feel the fever, too, and the icy rejection of Paris’ avenue Foch residents, I lost my trust in relatives that day, haven’t changed my mind since, that dislike of kinfolk was cemented when I went to Brideshead, I often returned happily, nonetheless, to Charles Ryder’s Brideshead, that is, to Sebastian Flyte’s not so much, many years later, I injected morphine, through my trousers, in a taxi in Zurich, just in time before complete break down, the relief was ever so painful, in rehab, I spent time in the GDR, in Dresden’s Weißer Hirsch, a residential area whose villas overlook the town, the tower, we called it, political resentments ex cathedra, always followed by the Staatssicherheit, some pale blue ink in a lady’s hand brought me back to early 1900’s Vienna, waltzing while turning to the left as well as to the right, ever so elegantly, my experiences are vast, I’m proud to say, I know what snow and war feels like, never lost a limb, though, but hell, I know what that feels like, too, or a broken heart, my Russian soul found itself described, so well, and, for once, understood, what a comfort, over the years, I became a close friend of Coco Chanel’s friends, and foes, and an even more intimate one of Thomas Mann, I know all about his wet dreams and sudden fears, which I happily forget about when being stuck again in an endless stream of my truth’s consciousness.

Who needs Xanadu when there’s Zurich?

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I have an imaginary friend who loves to lie in bed and ramble on about his past, he’s called Marcel Proust, and an imaginary foe who bores me to death, he’s called Charles Foster Kane. Tonight, they both inspired me to bother you with this sequel, some kind of photographic rambling on, a post photum rather than a post scriptum, but there were still pictures from my past, of my mind’s Swiss materialization that I hadn’t yet shown you. The selection has no theme, it’s just a potpourri of my favourite places, happy memories, eclectically put together subjects of beauty, just like all the stuff that this rosebud fanatic Mr Kane had put together at Xanadu, you are familiar with Citizen Kane, aren’t you? I never understood this film, really, call me a cinephobic if you must, but as far as Mr Kane’s sense for beauty and idyllic magnificence goes, this I get. Judge for yourselves.

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Basic me.

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I came across this selfie when I was looking for photos of Marie Antoinette’s tomb in Paris, and as I found that I have equally important things to say about this outfit of mine, I shall postpone my article about Marie Antoinette’s last resort. So, instead of learning that Proust lived quite nearby, on the opposite side of the street actually, you learn about what I wore the day I went to see the tomb of France’s notorious queen. I actually never take selfies, but on this day, in the restroom of a bistrot next to Galerie Maeght and Deyrolle in St.Germain, I had to (although, is it a selfie if you leave your head out? Well, I had just visited the tomb of Marie Antoinette and let’s not forget she was beheaded, too), as I was wearing my favourite jacket, I’ve been wearing it day in, day out ever since the day I bought it at Hamburg’s Jil Sander flagship store, it’s from an autumn/winter collection when Raf Simons was still in charge. It’s been in the washing machine dozens of times, its zipper is mostly out of order, and if it works it gets stuck in the tiny pleat that frames the zipper, nice detail, nicely sewn, but not very intelligently placed, its only fault actually, but I wonder if Madame Bertin would have lost her head sooner than Marie Antoinette if she had ever confronted Sa Majesté with such thoughtlessness in tailoring, anyway, then there’s my favourite pair of jeans ever, the only one that I will really miss, from that frightful day on when they dissolve into thin air, Ralph Lauren will be invited to attend its funeral, and one of my many black crew neck cashmere pullovers, a cheap one, no logo, but their quality is actually the same, a white shirt, you only see its cuffs, I think it’s from Charvet, and my beloved Hermès scarf, 140 x 140 cm, silk and cotton, imprimeur fou, Les Clefs and some other iconic design printed on top of it (or the other way round). That’s it. Basic me. Tomorrow, I might wear the very same, so you won’t have any difficulties recognizing me in the streets.