How I lost my peace of mind in Paris.

Walls, ladies and gentlemen, I need more walls. Ever since I saw the Cy Twombly exhibition at Centre Pompidou, I have been brutally aware of my wall-missing existence. Large walls, I mean. Spacious. Huge rooms and high ceilings. Very high ceilings. You see, I‘ve never had a problem with not having enough space for a Picasso, the classical period in particular, the one Olga was around, I love that portrait of Olga in that armchair, so beautiful, that serene expression of hers, and she’s so much more beautiful than in real life, he must have been so very deeply in love with her, anyway, getting Olga is so minor a challenge, it’s just about money, the non-existent millions, but I could hang her anywhere, easily, she’d be great in my bedroom, what a soothing idea, makes me want to retire, have a last look at her, and happily fall into the arms of Morpheus, but these large Twombly canvases, these splendid works of art, every single detail is a work of art on its own, they’re driving me insane, where am I to hang them? Where? I am quite serious, this is not a laughing matter, this March in Paris, I have lost my peace of mind forever.

Eyes wide open.

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Paris is full of marvels. Numerous big and fatty ones like the Arc de Triomphe and croissants, and smaller ones, like the elephant who is welcoming customers at Paul’s on Boulevard Haussmann, a bakery where you get those fatty croissants (and more importantly, although equally fat, Paul’s highly recommendable pains au chocolat, I just can’t get enough of them, so yummy), but you have to open your eyes, I know what I’m talking about, as I’ve been plenty of times to this shop without ever noticing its beautiful entrance, so I decided to keep my eyes open and discovered even more stunning attractions off Baedeker. A dachshund at Hermès, totally distracting me from all these fine leather goods, not for sale of course, otherwise he’d be sold out, I’m sure, an endearing sloth at Deyrolle, I’ve had a thing for taxidermy ever since I saw Hitchcock’s “The Man who knew too much”, but this guy was really adorable despite his being dead, I might be the only one who discovered a stunning detail in one of Cy Twombly’s paintings at the Centre Pompidou, maybe I was the only one who lingered long enough in front of it, and although I always wanted to steal a painting like Audrey Hepburn and Peter O’Toole once did in Paris, I had to give up that sudden urge as all of my favourite Cy Twomblys are way too expansive to do it just as elegantly, meaning “to do it at all”, I stood in front of Marcel Proust’s old dwelling, (another dead guy, why are they all dead?), and was amazed that he lived almost next door to my favourite Starbucks where I had a Soy Caffè Latte Venti (I’m sorry, I know it’s not what you are expected to have in Paris, but try ordering soy milk with your café au lait) and in the end of this open eye excursion I was almost thrown out after entering an intriguing building on Boulevard Haussmann where I saw the most beautiful elevator I’ve ever seen. Totally worth it.

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