I hate new things. I love things with a history attached. Fragrances, for instance. Bois des Iles is from 1926, the year The Murder of Roger Ackroyd was published, Agatha Christie’s first ‘whodunnit’ story featuring Hercule Poirot, her Belgian detective, and reformulated or not, it still smells like Coco Chanel, au petit jour in the backseat of a black Rolls-Royce, wrapped in her sable coat, on her way home from a delightful sexual encounter with some of these men way out of her league, socially speaking, they were all of such noble birth, rich as hell or nouveau pauvre – très nouveau, très pauvre, but in fact, they all were out of hers, they just had names, names they were just born with, she had made herself a name, a name worth millions then and now, she chose her lovers like others chose jewelry, and was hated for it, envied at least, but to hell, she was no bourgeoise, she just dressed them. The dresser it stands on is from the same time, by the way. It belonged to a pharmacist, so the antique dealer I bought it from told me, considering it’s art deco, it wasn’t even new when he bought it. Inherited, maybe. Or a pharmacist who was into art deco, sounds like an interesting man, somebody who had looked out for something special, who wanted to enjoy opening his sock drawer, suavely, pulling it open with the gentlemanly grip burl wood demands. On the other hand, he might have hated it. Too many memories attached. It might have belonged to his wife who left him for another man. A younger one. Although he was only 36 when she left. He waited all his life for her to come back. Didn’t touch her personal things, her silk stockings, kept them as if she would come back for them, or him – as if, she’d reply – maybe it was just one of those things, he kept telling himself. Or maybe not. Maybe he was just way out of her league.