Two drifters off to see the world.

There’s no film more stylish than Breakfast at Tiffany’s, obviously because of Audrey Hepburn’s glorious looks, she’s always dressed head to toe in Givenchy, but Manhattan in general and her apartment in particular are quite stylish, too, the latter not really furnished, but it had some well-chosen, quite exceptional neighbours—some kept handsome author and a Japanese photographer into intimate portraits—and most importantly, a cat called cat. Cats, to me, are the ultimate accessory. They never bother, except when they’re hungry, they take great care of their fur, they sleep a lot, they go for walks on their own, they’re quite independent, actually, they’re totally aloof which has always been a signature characteristic of interesting people if you ask me, and they never cease to surprise you, sometimes they wake you up at four a.m. and bring a dead mole instead of the usual dead mouse. My favourite attribute, however, is when they visit you during tea time, they lie next to you, ever so nonchalant, and make you forget about your book, and while you sip your tea swooning over them, they have a snack of their own: some blades of grass that make your sandwich look quite dull. I’ve told you, nothing more stylish than a cat.

A perfect day in the garden.

I spent the entire day in the garden, comfortably installed in a chair, looking at what was in front of me, and wasn’t bored a single moment. He must really be into roses, you might think, and partially you’re right, but truth be told, I had my iPhone with me, initially to take some more shots of the garden in bloom, when it suddenly occurred to me that I had Netflix on it, now an Obama approved entertainment device, and as I felt like something British, I started the original version of House of Cards, after I had made tea of course, as I can’t watch anything British without the most British beverage there is, tea. Over Fortnum & Mason’s Royal Blend—royalty, by the way, is quite British, too— I took a crash course in advanced manipulation and found Ian Richardson’s Francis Urquhart much more interesting a character than Kevin Spacey’s Frank Underwood, you may replace “interesting” by other adjectives such as vicious, refined, monstruous, vile, evil, foul, wicked, elegant, cynical, or pleasant. Pleasant, mainly because I like a character, any character, well played, quite especially such a complex character as this excelling manipulator on the run. Well done, Mr Richardson. I watched series 1 entirely, intermitted with occasional looks to the left and to the right, to hydrangeas in bloom and ageing terracotta pottery, and if it weren’t for my cat and his dinner, I’d still be outside, watching series 2 and my garden in the moonlight.

A summer in the garden.

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I’ve spent summers in all of the Mediterranean, and however beautiful it is, none of them compared to a summer in my parents’ garden, not even the sea, although, who am I kidding here, the sea, I do miss, but having breakfast in a hotel, lying on a beach or at a pool, next to people draping their labeled belongings around themselves like an Egyptian pharaoh in his tomb, clinging to their bank accounts, their status is on display 24/7, all year, over-symbolized, logomania in extremis, but no heaven lies ahead here, deadly sinners, all of them, it’s easier for a camel to go through the eye of a needle than for logomaniacs to enter the kingdom of God, yes, I’m a Catholic, no thanks, that’s not for me, at least not this year. My Hermès beach towels are off duty, I couldn’t relax anyway, I have to trim something in that garden left to my mother’s devices, planned as an urban jungle, too many trees, too much ivy, too much of everything, lush, overly lush, beautifully lush, hydrangeas emerging from unindentifiable green masses, roses emerge everywhere from ivy, so richly blooming they look like a bouquet, but before I trim something, I’ll look out for some shade, under an apple tree, or the walnut tree, or whatever tree appears inviting…

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What to wear in bed.

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I’m very good at sleeping. I can sleep for 12 hours straight. Or even more. But apart from my bed linen I don’t place much value on the way I Iook in bed. A t-shirt and boxers, that’s it. Sometimes the colours don’t even match. I blame my mother for that.

You see, in 1980, I was 12 at the time, my parents and I travelled to the United States to visit friends in New York and San Francisco, and as it was quite a hot summer we spent a lot of time in all kinds of air conditioned places, department stores being on top of that list. Saks on 5th Avenue has many floors but I remember only one, the one with a man’s nightgown by Christian Dior. Out of day and time, yet on display for me. It was hanging there on its hanger, white with thin grey stripes and looked like it belonged to a young English gentleman, Edwardian on top of that. I was deeply attracted to young Edwardian Englishmen at the time as I had just discovered Saki’s stories. I was pretty sure Bertie van Than and Reginald would wear exactly this nightshirt. And its being by Christian Dior was the icing on the cake. But iced or not, I didn’t get that cake. For some odd reasons, I couldn’t convince my mother that I needed this nightshirt. I never recovered from that denial. I am traumatized. This explains my complete désintéressement as far as looking good in bed is concerned. We look best naked anyway. My cat is proof of that.

Schiaparelli.

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In 1982, I was 14 years old and we got our first cat, a black beauty that I named Schiaparelli, although, truth be told, no alternative facts here, I pronounced it German, not Italian. Not at all Italian. At the time I only spoke German and French, and some Luxembourgish if you consider that a language. Still, I was a huge fan of Elsa Schiaparelli although I can’t recall when I first heard about her, she wasn’t in fashion at all then, I suppose it was an article in some smart magazine, for instance, I was deeply fond of the Frankfurter Allgemeine Magazine at that time, I cut out a photo of a young, barely dressed, or probably naked Jean Marais from it, photographed by Horst. Years later, as a student at university, I had it on my kitchen wall, still fond of the young Marais. Anyway, Schiaparelli was the loveliest cat ever. Utterly elegant. And believe it or not, she always – always! – smelled like my mother’s loose Christian Dior powder, I think it’s been discontinued, 600 Plus Qu’Invisible, at the time still sold in these pink old school boxes, completely old fashioned even at that time, we all wondered how she did it, she would come in after extended walks in the neighbourhood, after days sometimes, she was quite a tramp, from rain or snow, her paws covered in mud and dirt, but she always smelled like Dior. But don’t judge her by that alone. She was quite destructive. She mocked the craftsmanship of my mother’s antique prie dieu, a kneeler from the 1850s whose original upholstery she made look as if Jeanne d’Arc had left it behind in battle, but we left it that way, she seemed to enjoy her iconoclasm, it was only restored after her death, in black silk cotton, in a neverending mourning period style. I think Elsa would have liked her, Coco Chanel maybe not so much.