The weather was fine when I arrived, and it stayed fine all day—as Hamburg is as much known for its exaggerated supply of rain as Seattle, that was not a given, but it did. Lucky me! So I walked a lot, visited familiar places, found some of them changed, some for the better, some for the worse, and had a lot of iced americanos, including my very last one; you see, after posting my cup on Instagram, a friend of mine commented just two words: no plastic. And right she was. It’s amazing how one can support people cleansing the ocean from plastic, blame everybody else for our planet’s decay, and still sip coffee with a plastic straw from a plastic cup. I learned my lesson though, deeply ashamed of myself. And instead of showing off my mind’s double standards, I give you Hamburg’s natural beauty. Enjoy!
The Galaries Lafayette in Paris are worth a visit even when you’re not interested in their goods as the mere architecture of this holy grail of shopping is amazing, Belle Époque splendour of the finest sort—the cupola alone is a sight and made into a very bad movie with Romy Schneider and Michel Ronet which I implore you to never watch, but I digress. The Galeries Lafayette in Berlin, however, are not, not even when you’re interested in any of their goods. And if I hadn’t needed Choderlos de Laclos’ Liaisons Dangereuses La Pléiade edition from its French book section so very badly, I never would have made into that area of Berlin. On my way back home, waiting for traffic to give me a slight chance to cross the street, I glanced to the right, up Behrenstraße, a street of no particular interest, not like Französische Straße, the street I had crossed just before with Berlin’s most prestigious restaurant, the Borchardt, you find yourself dining with Angela Merkel there, but I digress again, anyway, at the end of Behrenstraße, you see a wonderful cathedral from 1773 that looks like a giant pudding, at least to me, a German pudding, some kind of vanilla flavoured panna cotta, not to be confused with anything English like black pudding, can’t stand that one, however traditional, anyway, St. Hedwig’s Cathedral is a gorgeous church, beautifully restored, and once you stand in front of it, and the Hotel de Rome just next to it, every bit as prestigious as Borchardt’s, you suddenly are surrounded by historic grandeur, Berlin’s great palaces of wisdom and entertainment, Humboldt University, its Faculty of Law, and the Staatsoper, the oldest of Berlin’s three opera houses. And truth be told, in the end, I was quite happy with my trip to the Galeries Lafayette.
It’s hard to find a place without any trees in Berlin, they’re everywhere, even important buildings like Humboldt University in what used to be East-Berlin – the Berlin featured in Alfred Hitchcock’s Torn Curtain, a place much less horrid than the film, he must have been drugged throughout the entire production, or even at the time when he was reading the script, why would anyone shoot such a boring mess, anyone, I ask you, but I wildly digress – anyway, even this architectural gem is partially covered in leaves and blossoms of a majestic chestnut tree, actually, all of Berlin is covered in trees, up and down every place and street, they’re flourishing so opulently you can’t make out the trunk at times. I wonder who planned this urban jungle, some green spirit way ahead of its time – whoever he was, I proposed a toast to him today, with my little bird friend and my soy caffè latte venti at a very treed Starbucks.
Berlin’s façades fascinate me, the old ones, I mean, the ones talking of a great past, like the one above near Friedrichstrasse and Unter den Linden, right in the middle of Berlin. As the third floor lettering suggests, it was once a great hotel – the Splendid Hotel. But some research showed that period lasted only for fourteen years, however splendid it might have been, it got shut down in 1918, possibly due to a lack of customers, who would want to visit Berlin shortly after World War I? So its rooms were rented to small businesses, tiny offices instead of vast suites. The building survived even WW II and the GDR’s neglect of anything remotely elegant, and as it stands now in one of Berlin’s most cared for areas, it’s in perfect shape and wouldn’t have lost any of its appeal if it weren’t for spring — I can’t pay much attention to anything grey these days. And although this building as well as mine are under monumental protection, mine was not a hotel but it used to house female students in the good old days of the Kaiser, I tend to just look at the wonderful green of the trees from the very moment I open my door or a window…
That’s no typo, no derailed touch on my iPhone’s screen, it’s just the proper way to pronounce Zurich when you visit the town in the summertime. You have to do it voiced, quite sensually, tune it with all the softness you can come up with. Zzzzzzzzurich. It will put you in the right mood. Zzzzzzzzurich. Give it a try. It helps you adjust to the circumstances. The sky is nowhere bluer, the sun is nowhere brighter, the trees are nowhere greener, the air is nowhere softer, and your drinks are nowhere pricier. Zzzzzzzzzzzurich.
Earlier this year, I made an important discovery: Kaiser Wilhelm I had really bad taste, I mean, really bad taste. Schloss Babelsberg, his grotesque summer residence just outside Berlin, is a perfect example of why you won’t find a Wilhelm I chair or ottoman or whatever in any fine antiques store, there’s Louis XV and XVI, there’s even Louis XIII if you don’t care for clichés, there’s Queen Anne, Empire, which is basically Napoleon, everything Victorian, there’s been a lot done in Victorian style, she reigned so very long, then there’s Louis Philippe, George III, the Swedes have their Gustaf, the Austrians have Joseph II and the Americans got their colonial style, I think the colonies belonged mostly to these Georges on the British throne, so it’s safe to say it’s Georgian style, but Wilhelm I? Forgotten with an effort. As if he had never lived. One must know, however, that this particular catastrophy’s architect was none other than Karl Friedrich Schinkel, Biedermeier’s Norman Foster, one of the best Germany has ever had, at least at the beginning, in the early 1830s, when they started construction. Later, after Prince Wilhelm was declared Crown Prince and to inherit Prussia’s throne, his brother’s marriage had remained childless, the budget was increased, allowing them to put more effort in it, demanded especially by Wilhelm’s wife Augusta, she needed even more Gothic bling, for some strange reason everything Gothic was fashionable at the time, an effort that Karl Friedrich Schinkel’s health did not agree with, he died during the planning of the extensions in 1841. Just take a look at it, you’ll understand.