Some time ago, when going through my secretary’s drawers, looking for some stuff for my tax declaration, I found an old wallet of mine, made of Louis Vuitton’s nice Épi leather, in a yummy chocolate brown, I instantly had to eat some, luckily I always have some bars at home, but that’s not the interesting part of my find. Inside the empty wallet was a single note, issued in February 1962 in the Congo, shortly after it had become independent, after the Belgians had lost their colony, and many, many a year before Hergé’s comic book “Tintin au Congo” had become ever so politically incorrect. A friend of my mother’s gave the Congolese note to me after giving account of her African adventures when I once visited her in Munich. She had spent some time in the young country in the early sixties, and during dinner she had all these funny anecdotes to tell, all of them much to her husband’s disapproval, who was sitting next to her when she talked about her African years but wasn’t part of any of the stories, she had only met him many years later. Males must feel important. Anyway, I remember most vividly the one about her arrival: picture a very young woman, very stylish, very vain, very concerned about her looks, having left Europe in mid-winter, in a top notch red bouclé wool ensemble with matching coat, made of the same red bouclé wool that one, too, and finding herself all of sudden in the tropical heat of Leopoldville, on a gangway and an airfield ever so close to the equator, lost even more in perspiration than in translation. You have to dress destination appropriately when you travel, she told me with great gravity when she handed me that note as constant reminder of her wisdom. I wouldn’t know. You see, I’ve never been to the Congo.