It was a page that I didn’t turn, the one in W. Somerset Maugham’s novel “On Razor’s Edge” that had his narrator guess who designed his hostess’ elegant dress this time, this time being an afternoon in late 1920s Paris. Lanvin or Chanel? The dress turned out to be by Jeanne Lanvin on the following page, but I had already drifted away, to a world where Coco Chanel was alive and kicking, where I, the 14 year old that I was, was strolling through Paris, from couture house to couture house, stopping at Cartier and Goyard, sniffing my way from Guerlain to Caron, not buying, just looking, with my coral cigarette holder, the one I knew from Saki’s unbearable Bassington, wearing one of the exquisite shirts I had borrowed from J. Gatsby, and with a best buddy next to me, some partner in crime, like Sebastian Flyte’s companion Aloysius, a teddy bear friend, serving as alter ego and advocatus diaboli at the same time.
F.Scott Fitzgerald, W.Somerset Maugham, Evelyn Waugh, and Saki – these were not only my favourite authors for their exquisite stories, but more importantly, these refined guys introduced me to style in such a convincingly romantic way, that I was changed for life. Mousey will confirm all of it.